A key value proposition of our job is a quality workflow involving sound and video. The workflow is always adjusted to your needs. Look below what can be in.<\/p>\n<\/div>
Sound and music postproduction workflow<\/h2><\/div>- <\/i><\/span>\n
Sound is captured<\/b> using a multitrack recording device such as a locally available mixing console, our own digital console Allen&Heath SQ5 (music and complex projects), combination of in-camera sound, Hollyland Lark (wireless mics for live interview settings), local and our own microphones and other sources. We have a lot of equipment in house, do not be afraid to ask! <\/p>\n<\/div><\/li>- <\/i><\/span>\n
We use ProTools equipped with powerful plugins such FabFilter to create a music mix from the multitrack recording<\/b>. The sound mix is extensively consulted with you. When appropriate, the mix can be done by a professional of your choice.<\/p>\n<\/div><\/li>- <\/i><\/span>\n
The sound is mastered<\/b> using a top-notch hybrid workflow including Universal Audio Apollo Heritage, Solid State Logic outboard gear (Fusion, Bus+), Elysia gear and more. When appropriate, the mastering can be done by a professional of your choice.<\/p>\n<\/div><\/li>- <\/i><\/span>\n
A master track is created that is compatible with social media and other mainstream outlets respecting the right levels of loudness.<\/p>\n<\/div><\/li><\/ul>
![\"\"](\"https:\/\/tumalabs.com\/wp-content\/uploads\/2024\/08\/MB-Setup-16072024-2-of-7-scaled.jpg\" "\\"MB")
<\/a><\/div><\/div>![\"\"](\"https:\/\/tumalabs.com\/wp-content\/uploads\/2024\/08\/DSC_0683-scaled.jpg\" "\\"DSC_0683\\"")
<\/a><\/div><\/div><\/div>![\"\"](\"https:\/\/tumalabs.com\/wp-content\/uploads\/2024\/08\/DSC_0687-scaled.jpg\" "\\"DSC_0687\\"")
<\/a><\/div><\/div>![\"\"](\"https:\/\/tumalabs.com\/wp-content\/uploads\/2024\/06\/WorkingWithVojtaBrhel-1-of-1-scaled.jpg\" "\\"WorkingWithVojtaBrhel")
<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>Video postprocessing workflow<\/h2><\/div>- <\/i><\/span>\n
The video is recorded to multiple cameras<\/b>, typically at least five 4k cameras with 25fps or high frame rates as needed.<\/p>\n<\/div><\/li>- <\/i><\/span>\n
We record using Atomos Ninja recording monitors with remote timecode synchronization<\/b> (AirGlu) down to a single frame<\/p>\n<\/div><\/li>- <\/i><\/span>\n
All camera footage is synchronized to the underlying music track<\/b><\/p>\n<\/div><\/li><\/ul>- <\/i><\/span>\n
The video is cut <\/b>based on the desired artistic direction and genre of the resulting video.<\/p>\n<\/div><\/li>- <\/i><\/span>\n
Color grading<\/b> is an important step in which we tune the visuals of the video, taking into account the color science of the cameras we use and the art dimensions,<\/p>\n<\/div><\/li>- <\/i><\/span>\n
The final video is encoded using H.264, H.265 or other format as needed and tailored for publication on YouTube and other platforms<\/p>\n<\/div><\/li><\/ul>
Sound is captured<\/b> using a multitrack recording device such as a locally available mixing console, our own digital console Allen&Heath SQ5 (music and complex projects), combination of in-camera sound, Hollyland Lark (wireless mics for live interview settings), local and our own microphones and other sources. We have a lot of equipment in house, do not be afraid to ask! <\/p>\n<\/div><\/li> We use ProTools equipped with powerful plugins such FabFilter to create a music mix from the multitrack recording<\/b>. The sound mix is extensively consulted with you. When appropriate, the mix can be done by a professional of your choice.<\/p>\n<\/div><\/li> The sound is mastered<\/b> using a top-notch hybrid workflow including Universal Audio Apollo Heritage, Solid State Logic outboard gear (Fusion, Bus+), Elysia gear and more. When appropriate, the mastering can be done by a professional of your choice.<\/p>\n<\/div><\/li> A master track is created that is compatible with social media and other mainstream outlets respecting the right levels of loudness.<\/p>\n<\/div><\/li><\/ul> The video is recorded to multiple cameras<\/b>, typically at least five 4k cameras with 25fps or high frame rates as needed.<\/p>\n<\/div><\/li> We record using Atomos Ninja recording monitors with remote timecode synchronization<\/b> (AirGlu) down to a single frame<\/p>\n<\/div><\/li> All camera footage is synchronized to the underlying music track<\/b><\/p>\n<\/div><\/li><\/ul> The video is cut <\/b>based on the desired artistic direction and genre of the resulting video.<\/p>\n<\/div><\/li> Color grading<\/b> is an important step in which we tune the visuals of the video, taking into account the color science of the cameras we use and the art dimensions,<\/p>\n<\/div><\/li> The final video is encoded using H.264, H.265 or other format as needed and tailored for publication on YouTube and other platforms<\/p>\n<\/div><\/li><\/ul><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div>Video postprocessing workflow<\/h2><\/div>