A key value proposition of our job is a quality workflow involving sound and video. The workflow is always adjusted to your needs. Look below what can be in.

Sound and music postproduction workflow

  • Sound is captured using a multitrack recording device such as a locally available mixing console, our own digital console Allen&Heath SQ5 (music and complex projects), combination of in-camera sound, Hollyland Lark (wireless mics for live interview settings), local and our own microphones and other sources. We have a lot of equipment in house, do not be afraid to ask!

  • We use ProTools equipped with powerful plugins such FabFilter to create a music mix from the multitrack recording. The sound mix is extensively consulted with you. When appropriate, the mix can be done by a professional of your choice.

  • The sound is mastered using a top-notch hybrid workflow including Universal Audio Apollo Heritage, Solid State Logic outboard gear (Fusion, Bus+), Elysia gear and more. When appropriate, the mastering can be done by a professional of your choice.

  • A master track is created that is compatible with social media and other mainstream outlets respecting the right levels of loudness.

Video postprocessing workflow

  • The video is recorded to multiple cameras, typically at least five 4k cameras with 25fps or high frame rates as needed.

  • We record using Atomos Ninja recording monitors with remote timecode synchronization (AirGlu) down to a single frame

  • All camera footage is synchronized to the underlying music track

  • The video is cut based on the desired artistic direction and genre of the resulting video.

  • Color grading is an important step in which we tune the visuals of the video, taking into account the color science of the cameras we use and the art dimensions,

  • The final video is encoded using H.264, H.265 or other format as needed and tailored for publication on YouTube and other platforms